In 2014 with AND Public she published MODA WK: work in response to the paintings, drawings, correspondence, clothing and interior design of Winifred Knights (an expanded legacy). In 2017 with Dr Hana Leaper she co-convened the conference, Making Womens Art Matter at the Paul Mellon Centre, London. Exhibitions and commissions include Gravidity & Parity &, Hatton Gallery, Newcastle upon Tyne one on one: on skills, The Contemporary Art Museum of Estonia, EKKM, Tallin I See You Man, Gallery Celine, Glasgow and Alpha Adieu, Museum of Contemporary Art Antwerp, M HKA. Hebson studied at Central St Martins and the Royal Academy Schools and is senior Lecturer in Painting at the Royal Institute of Art Stockholm. She works across painting, objects, large scale prints, apparel and text through subjective biography most recently exploring the expanded legacy of American painter Christina Ramberg. Louisa was a judge for the 2005 Turner Prize and is a founding member of The Gallery Climate Coalition. Commissioning Contemporary Art : A Handbook for Curators, Collectors and Artists was published by Thames & Hudson in October 2012 and in 2016 she authored ‘The Going Public Report’ commissioned by Museums Sheffield. Her books include Moving Targets 2: A User’s Guide to British Art Now (Tate 2000) Market Matters: The Dynamics of the Contemporary Art Market (Arts Council England 2004) and Owning Art: The Contemporary Art Collector’s Handbook (co-authored with Judith Greer) (Cultureshock Media 2006). She is the author of a number of catalogue essays for institutions including Tate, Whitechapel Gallery, ICA London, MCA Australia and the Stedelijk Museum in Amsterdam. Her articles have appeared in publications ranging from the Guardian and Vogue to Frieze and Artforum. She is a Contributing Editor and London Contemporary Art Correspondent for The Art Newspaper and a regular reviewer and commentator on BBC radio and TV. Louisa Buck is a writer and broadcaster on contemporary art. Barby is also a PhD Candidate, CREAM University of Westminster, co founder of the collaborative project, agency for agency and on the advisory board for the Women’s Art Library.
#Buck compton breaking series
The project is developed in a series of chapters, with new chapters being presented as part of And Still I Rise, Nottingham Contemporary and at BALTIC Centre of Contemporary Arts in 2019. For Charlotte and Adjoa, brings together groups of womxn of colour, to explore social, cultural and political agency, through collective actions that attempt to collect and tell stories of living and forgotten womxn and the everyday political actions that do not get articulated in narratives of social, political and cultural change. Her on going project, As Always a Painful Declaration of Independence: For Ama.
Her work has been included in Untitled, New Art Exchange, Nottingham (2017) The Diaspora Pavilion, Palazzo Pisano Santa Marina, Venice (2017) Who’s Urban Appropriation is This? TENT, Rotterdam (2017) and Starless Midnight, BALTIC Centre for Contemporary Arts, Gateshead (2017/18). Coming from the feminist position of the personal is political Barby’s artistic journey travels through her own experience of coming from a Ghanaian migrant family growing up in the UK, institutional interventions, working with people, thinking about ways to create/ occupy space, unearth un-constituted archives and un-accredited knowledges to articulate perspectives that reflect on the histories and legacies of slavery and colonialism that inform our present.īarby has shown work and developed projects nationally and internationally. Over the last 20 years of artistic action she has created projects that have explored, liveness, performativity and sociability, to think about issues of place, identity and belonging, critically reflecting on race and social justice. Using archival material in the broadest sense, she is interested in breaking down the language of archive, not to insert or present alternatives to dominant narratives but to interrupt, interrogate and explore the effects and possibilities of the unheard and the missing. Her work creates situations and spaces for dialogue, collective thinking, ritual and reenactment. Barby Asante is an artist, curator and researcher based in London and Amsterdam.
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